| 6126 | Review of The Supernatural Sublime: The Wondrous Ineffabilit… (10.5195/cinej.2020.297) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6127 | Review of The Mummy on Screen: Orientalism and Monstrosity i… (10.5195/cinej.2020.308) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6128 | Books Received 2020 (10.5195/cinej.2020.350) | References | 0.00 | 0 | 2158-8724 |
| 6129 | Female Representation in Select Films of Frank Rajah Arase:… (10.5195/cinej.2021.287) | References | 0.00 | 0 | 2158-8724 |
| 6130 | The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonyme… (10.5195/cinej.2021.288) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6131 | Reading the Simultaneous Motion and Reality Bending Concepts… (10.5195/cinej.2021.301) | References | 0.00 | 0 | 2158-8724 |
| 6132 | Cinema: Not Frames But Veils (10.5195/cinej.2021.312) | References | 0.00 | 0 | 2158-8724 |
| 6133 | Some Problems with Gendered Subjectivity and Representation:… (10.5195/cinej.2021.321) | References | 0.00 | 0 | 2158-8724 |
| 6134 | Formation Of The Ambiguous Heroic Archetype: Three Jewish-Am… (10.5195/cinej.2021.322) | References | 0.00 | 0 | 2158-8724 |
| 6135 | Waking (Dreaming): A Vedantic Reflection on Richard Linklate… (10.5195/cinej.2021.330) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6136 | Baudrillard, Hyperreality, and the Evil in Othello and The H… (10.5195/cinej.2021.354) | References | 0.00 | 0 | 2158-8724 |
| 6137 | Disgraced of the West, Deserted of the East: Men in the Film… (10.5195/cinej.2021.359) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6138 | Review of Towards A Political Aesthetics of Cinema: The Outs… (10.5195/cinej.2021.371) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6139 | Review of Shoe Reels: The History and Philosophy of Footwea… (10.5195/cinej.2021.388) | References | 0.00 | 0 | 2158-8724 |
| 6140 | Review of Theorizing Film Through Contemporary Art: Expandin… (10.5195/cinej.2021.404) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6141 | Yilmaz Güney’s The Fields of Yuréghir and Arkadaş: From Desp… (10.5195/cinej.2021.407) | References | 0.00 | 0 | 2158-8724 |
| 6142 | Books Received 2021 (10.5195/cinej.2021.415) | References | 0.00 | 0 | 2158-8724 |
| 6143 | Locating the Storyteller in Silent Waters: Sabiha Sumar’s Ci… (10.5195/cinej.2021.426) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6144 | Deterritorializing The Self: Becoming-Child in the Character… (10.5195/cinej.2022.364) | References ORCID | 0.00 | 0 | 2158-8724 |
| 6145 | The Relation of Female Characters to Nature in the Turkish S… (10.5195/cinej.2022.410) | References | 0.00 | 0 | 2158-8724 |
| 6146 | Exploring Modes of Surveillance in Films (10.5195/cinej.2022.444) | References | 0.00 | 0 | 2158-8724 |
| 6147 | Politicizing the superhero genre: The case of Watchmen (HBO,… (10.5195/cinej.2022.509) | References | 0.00 | 0 | 2158-8724 |
| 6148 | Minik Serçe as a Contrary Example Among the Singer Films in… (10.5195/cinej.2022.522) | References | 0.00 | 0 | 2158-8724 |
| 6149 | Güneş Ne Zaman Doğacak?: A different approach from the persp… (10.5195/cinej.2022.525) | References | 0.00 | 0 | 2158-8724 |
| 6150 | Thirteen Days: A Political Reading (10.5195/cinej.2022.537) | References | 0.00 | 0 | 2158-8724 |