| 7501 | Cross-cultural Theatre Education: Rehearsals and Performance… (10.7146/nts.v28i2.25523) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7502 | Staging Cultural Identities as Political Performance: Hålog… (10.7146/nts.v28i2.25540) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7503 | Speaking about Reality: Verbatim techniques in contemporary… (10.7146/nts.v28i2.25601) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7504 | Activating Dance Records. Conceptualizing research into the… (10.7146/nts.v29i1.102971) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7505 | Embodied Spectatorship? Interpreting dance reviews around 19… (10.7146/nts.v29i1.103305) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7506 | Representing Pariah Femininity. Sexuality, gender, and class… (10.7146/nts.v29i1.103308) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7507 | Popular Theatre - Highbrow or Lowbrow (10.7146/nts.v29i2.104605) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7508 | Participation to the People! Locating the Popular in Rimini… (10.7146/nts.v29i2.104610) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7509 | Popular Participation: Why do People Participate in Amateur… (10.7146/nts.v29i2.104611) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7510 | From Institutional Fatigue to Creative Communication (10.7146/nts.v30i1.106924) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7511 | From Permanent Positions to Visiting Jobs (10.7146/nts.v30i1.106925) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7512 | Towards a Spectatorial Approach to Drama Analysis (10.7146/nts.v30i2.112950) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7513 | Three Phases of the Theatrical Public Sphere in Estonian The… (10.7146/nts.v31i1.113002) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7514 | Performance as Counter-memory: (10.7146/nts.v31i1.113003) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7515 | “Theatre Phenomenology” and Ibsen’s The Master Builder (10.7146/nts.v31i1.113005) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7516 | Inventing the Past, Re-Writing the Present (10.7146/nts.v31i2.120121) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7517 | Doing Things With Natures (10.7146/nts.v32i1.120402) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7518 | Producing Bare Life in the Anthropo-scene (10.7146/nts.v32i1.120406) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7519 | Para-Anthropo(s)cene Aesthetics Between Despair and Beauty (10.7146/nts.v32i1.120407) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7520 | Gaming as Everything (10.7146/nts.v32i1.120413) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7521 | Cultural Mobility, Networks, and Theatre (10.7146/nts.v32i2.124345) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7522 | The Travelling of Dramatic Texts and Memory Patterns (10.7146/nts.v32i2.124347) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7523 | Performing Nordic White Femininity (10.7146/nts.v32i2.124348) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7524 | Reduce, Reuse, or Refuse? (10.7146/nts.v34i1.137929) | References ORCID License | 22.58 | 1 | 2002-3898 |
| 7525 | Hen: Queer Puppet Cabaret, Utopian Perspectives for Sexual B… (10.7146/nts.v34i2.141664) | References ORCID License | 22.58 | 1 | 2002-3898 |